-Thoreau
9am Sunday February 9, 2014
23 degrees
Sitting at my corner. My first conscious capture is the
lime on the wood planks: long stacked-like brick planks that hold the earth
from falling into the street. The color links up with my memory and I’m associating:
color pop
push pop
ring pop
candy paint
jolly rancher
sour apple
jell-o jigglers
Pretty paint on barriers like paint ball splots on police
shields, like tropical murals on condemned Philly row homes. Bright colors
holding hands with drabness: winter whites and bland browns plus the mean mood
of those cool winter blues.
The petite chimney of my wide apartment building is putting
out a faint but steady puff of steam, looking tired, looking like The Little Engine That Could: I think I
can, I think I can.
Pencil-tip pellets of snow drop to my notebook, demand
attention: dandruff on a black dress. Plus they have a bounce to their step, a
soundtrack to their entrance: Zing! Zing! Like those shoots of light that fall
around Beast as he’s resurrected in front of an awed Belle, in front of an
ensnared five year old watching through the screen.
I chase a fallen pellet with the tip of my fountain pen,
inject it with ink. A tattoo. How this is beautiful and grotesque. The white
pellet now a melted clump of black ink, like it never was once snow. How vision
is an illusion, how it’s limited in its ability to tell the whole story, the
whole history.
How history is an obsession of the writer (me).
In this vein an image
surfaces: crabs (writers) in a bucket. But the other crabs aren’t other
writers, they’re me. All those claws, and clamoring for freedom. All that truth. All those obsessions, and opinions--
they’re me.
***
There’s those leaves again, the ones who never let go.
The ones who make their own schedule as to when. How they’re both brilliant and
foolish. Tough-- but for what?-- they’ve already braved the winter. Ovid said:
“Be patient and tough; someday this pain will be useful to you.”
I’m thinking about
my students at ACJ, how they embody these lone leaves: brittle, beat down,
weathered, but connected. Holding on. To be a writer is to hold on.
***
One bird, then two, but they are far and unidentifiable.
Then the giving of a red spot, a Cardinal. I feel glad to know his name-- this celebrity.
A school of baby stingrays fly over head and they dart
nervously in unpredictable redirections.
As I focus on looking at/ for birds, it’s their
sound that comes into focus. How could I have missed this?
It’s amazing, personalities galore.
-joyful
-whiney
-melancholic
-aggressive
-nimble
-friendly
-annoying
What’s going on? Why all the sounds?
I reprimand myself. I am silly to think that these noises
are out of the ordinary. I feel further shame, in that I know birds are a big
deal in the literary world. How quick I am to find birds and their metaphors in
a text, but how blind I am to them in real life. That seems extremely
disconnected to me.
The Cardinal lands on a lime log plank while I’m
wallowing in my deficiencies.
Associations begin anew:
Christmas
Christmas in the Caribbean
"I’m thinking about my students at ACJ, how they embody these lone leaves: brittle, beat down, weathered, but connected. Holding on. To be a writer is to hold on."
ReplyDeleteI hit the ceiling.
It's really fun to look at these lists. I want to see you make a list next time and tell me. It sounds stupid, but something like a specific memory of jello jigglers would be a really cool jumping off point for ideas of writing those stories. Just a thought for the future anyway. Thanks S. Sio!
"... and tell me [about what each item on the list means]."
DeleteTyping without thinking again, woof.
You're on a roll - this blogpost was really exciting to me. The sounds, the freedom by which you squeeze your thoughts into words - it just feels really fresh and different. I like that so much about it.
ReplyDelete"color pop
push pop
ring pop
candy paint
jolly rancher
sour apple
jell-o jigglers
Pretty paint on barriers like paint ball splots on police shields, like tropical murals on condemned Philly row homes. Bright colors holding hands with drabness: winter whites and bland browns plus the mean mood of those cool winter blues."
This is awesome... Poem much? :)
Siobhan,
ReplyDeleteI love this post, especially: "The white pellet now a melted clump of black ink, like it never was once snow." I also love the image of you as a crab and the sting rays (birds) flying overheard. So imaginative, really beautiful image and such a strange contradiction when thinking about you sitting outside in the snow.
Beautiful wild ride of language.
ReplyDelete